Music before anything
"Without the key wardrobe" ?
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"Music before all else,
And why prefer the Odd
vaguer and more soluble in the air,
with nothing in it that weighs or installation. "[...]
Take eloquence and wring them his neck! "
Verlaine " Poetic Art ", and Formerly Formerly , 1884
" Vowels " Rimbaud , 1872, Poems
A black, E white, I red, U green, O blue: vowels,
I will some day your mysterious origins:
A, black velvety jacket of brilliant flies
Which buzz around cruel smells,
Gulfs of shadow; E, whiteness of vapors and tents,
Lances of proud glaciers, white kings, shivers of umbels;
I, purples, spat blood, laugh of beautiful lips In anger
or in the raptures of penitence;
U, cycles, divine vibrations of the seas,
peace of pastures dotted with animals, Peace wrinkles
That alchemy prints on broad studious foreheads;
O, sublime Trumpet full of strange piercing sounds, Silences crossed
Worlds and Angels:
O the Omega, violet ray of His Eyes!
THE POETIC: creative writing (Greek etymology: "creation" )
THE POETIC: expresses a unique relationship to language and the world.
PROSODY: "pronunciation" (1562 <> "prosôdia" "accent, quantity, in the pronunciation" )
quantitative traits (length) and melodic sounds, syllables as they occur in poetry (metric verse, meter, feet) ; rules about these characters, rules for reports of quantity, intensity, between the time of measurement and the syllables of words in vocal music.
FIXED FORMS: the sonnet, the ode ("ode" song =): "Darling, let's see if the pink , Ronsard the a ballade ; le pantoum (Baudelaire : « Harmonie du soir » , « Spleen et Idéal » , Fleurs du mal ) , le blason, l’haïku…
LES FORMES LIBRES : « cohésion nucléaire » d’autant plus forte (Julien Gracq) avec ligne mélodique et effets de reprises thématiques, lexicales, rythmiques => adéquation Sa/Sé (une forme qui fait sens)
Le poème en vers libre
Le poème prose
"We built a poem as a machine" , Edgar Poe (translated by Baudelaire) => the poet, according to Nietzsche, must be both "Apollonian" (work of form, aesthetics) and "Dionysian" (the intoxication of inspiration, "demons" Goethe).
METRICS: versification, the mother may be regular or irregular, or even / odd and
verse together: Alexandria (12), decasyllabic (10), octosyllable (8)
odd * Verse: 5, 7 (heptasyllabic), 9, 11 * "Music before all things, / And why prefer the Odd / vaguer and more soluble in the air, / with nothing in it that weighs or installation. " Paul Verlaine " Poetic Art ", and Formerly Formerly , 1884
Blank verse: it can be found in a prose text (eg, an Alexandrian in Madame Bovary Flaubert: Emma Silent i Waitress * watched the turning wheels ") * diaeresis
THE RIMES: rich (1 phoneme), sufficient (2), poor (1); kissed (ABBA) cross (ABAB); followed (AABB)
RHYTHMIC EFFECTS: crossovers (cons-release and discharges)
Rhythms binary, ternary (romantic "measured noise of his footsteps, sighs of my mother and the murmur of the wind ", Chateaubriand " The long sobs of the violins of autumn lull my heart with a languor monotonous Verlaine)
Rhythms accumulative (enumerations) ; progressive: gradation ( "Go, run, fly and take revenge" , Corneille, Le Cid )
Breaks rhythms hyperbaton, anacoluthon ( "Exiled on the ground" / "Its giant wings" , Baudelaire, "The Albatross" ; "The nose of Cleopatra / if would have been more ... / entire face of the world had been changed " , Pascal, Pensées ; "" Oh! Nature really stepmother, since such a flower only lasts from morning till night " Ronsard, " Darling, let's see if the pink ).
SOUND EFFECTS: imitative harmony (* "Who are these snakes hiss on your heads" , Andromache, Racine)
Alliteration: repetition of consonants ( "Eni v ground v e of v ins, poetry and v ERTU ", Baudelaire)
The assonance: repetition of vowels (assonance in" or " " He has two hole s road management alongside dr ilo. ")
The diaeresis: insistence on a phoneme which is a syllable (the" i v olona fall, "Verlaine)
The silent e: he decides in the end of words within a verse if the following word begins with a consonant. It does not account as a syllable at the end of verse.
The hiatuses meeting of two phonemes (and is).
THE TONE: "Words light of reciprocal reflections" , Mallarme.
"vertigo" : "Melancholy waltz and languorous vertigo" , Baudelaire
Fricatives: "by The f ums does not have f f infants his nostrils ", Rimbaud " The Sleeper in the Valley " => associations and vibrant fricatives (hard) to show the brutality of the reality that the reader discovers little by little the young soldier not sleeping, he stopped breathing, he died. This violence is implicit in the poem: alliteration in negation + "f" + "r" = sounds unpleasant (understatement> understatement) => " Tr anquille" ® + ". He has two very ou r Ouges alongside dr ilo. " (alliteration in "r").
Combine several effects:
"Oh! v r r like my hearth Natu e r, then q u'une f r leu not the e r e that my in jus t that es in s ee! "
alliteration of hard consonants: 'r', 's', 'v', 'f' (fricatives) + anacoluthon and ellipse
HARMONY Imitation:
"Who s have these rpents which is s ifflent on your heads" , Andromache, Racine => * assibilation: S, 'the letter snake, "Paul Valery
Everything m' m afflicted and night e and c are turn to m e harm" , Racine, Phaedra : alliteration of nasal (tone deaf)
GAMES D’ECHO: reprises thématiques, rythmiques et sonores = effets de rimes intérieures (armature interne)
L’EUPHONIE : harmonie de sons agréablement combinés ; du grec « eu » (bien) et « phône » (son) [ « et est » – « sa vraie apparence » (véritable) – « c’est… qui » - de par]
"Amant alternae Camenae" , Virgile
( "Les Muses aiment les chants alternés")
"Baudelaire's poetry is its duration and the empire she has yet, in the fullness and sharpness of her singular stamp. That voice, at times, yield to the eloquence , as happened too often to the poets of this period but it retains and develops almost always a melodic line admirably pure and sound perfectly conducting that distinguish this prose [...]. But the greater glory of Baudelaire probably have created some great poets. Or Verlaine or Mallarme, Rimbaud or had not been what they were made without reading them The Flowers of Evil at age decisive. " Paul Valery, Baudelaire location.
